I will take your advice and for now focus on learning some easier pieces (when I've finished the Alfred piano series), I really appreciate you taking the time to write such an elaborate comment.

At best you'd never unrack it.

I'd rate it 8 or 9. Please Pass It On! jgoo, the Maple Leaf is relatively easy, nothing particularly taxing in terms of technique. It's not impossible, it gets played quite a bit. There's a lot more involved and without going through proper development you'll at best end up with a likely robotic and uneven version of it. EDIT: Also, your name makes me think maybe you lift, so think of it that way. It's a tough piece! Fun Stuff! The amount of tension you would likely employ to try to play it might snap your shit up in the longterm. If you have no dispute with what I am saying then don't quote me in a reply and then proceed to (at least appear to) dispute what I was saying. That way I can start out learning some easier pieces. When the theme happens in repeated octaves at the end, to make it work it just depends on how fast you can move your wrist.

I've heard it live many times. Plus the music is not so refined and easier than in the Paganini. Now, I know this piece is really technical and difficult. 7. Get Sheet Music.

Winterwind sits comftrobaly under your right hand in positsion, the nasty part is learning it , but even it has logic: chromatic down + I III V notes in 1 or 2 finger. It's almost certainly achievable in 10-15 years... but not from working on it for an hour a day. Its such a beautiful piece, and my favriote part comes at the end, I wish that that particular part was longer. There were many years when I practiced avg 6 hours per day. No dispute at all with what you're saying. La Campanella is a challenging piece, however I agree with another comment above saying it might not be the best choice for a competition. And by then you'll probably be able to learn it in months. 1836: Schumann’s Toccata in C Major Op. It's got some fast notes and some difficult repeated note thingys where you have to jump down an octave, but besides that... Really not to hard. The main difficulty of La Campanella in tehnique are the thrillers and repetitions, but overall - the sound and touch and flowing over the technicality. Per consentire a Verizon Media e ai suoi partner di trattare i tuoi dati, seleziona 'Accetto' oppure seleziona 'Gestisci impostazioni' per ulteriori informazioni e per gestire le tue preferenze in merito, tra cui negare ai partner di Verizon Media l'autorizzazione a trattare i tuoi dati personali per i loro legittimi interessi. The comment about practicising an hour everyday not being realistic is actually a really good point. There are several Brahms exercises that might also be helpful. It's not a binary of just hitting the right note or the wrong note. My ultimate goal is to play la campanella. If you don't lift and I guessed wrong... just ignore that.

I'd rate it 9 or 10. I will be messaging you on 2029-06-16 14:05:29 UTC to remind you of this link. I haven’t listed these works in order of difficulty but chronologically.

Form absolutely applies to music. It's as if the left hand notes were, in a way, propelling the right hand figures. It's one of the more difficult Liszt etudes and should probably come after some study of the Chopin etudes.

Of course, this all relative. You must think of the sheet music as a guide and allow the rhythmic interplay between right and left hand to come out naturally.

My daughter thinks of it as the most difficult thing she has ever seen (but she hasn't seen any Scriabin or Boulez.).

As far as "level" of difficulty, it doesn't really register on any pedagogical scales. You can just adapt your skills to play whatever music appeals to you in a decade or more... including potentially that one. I assume that you are referring to “La Campanella” as transcribed for piano solo from Paganini’s legendary virtuoso violin piece. Now, I know this piece is really technical and difficult. Would you skip dips, incline, dumbbell variations?

Smart and variety training applies to music. Ted is absolutely right in my view. But, to play it as intended requires background and experience to the point where you don't have to ask whether you can handle it. Joined: Jan 2002.

Maybe that piece is just too distant for me right now. I understand your point, and it makes a lot of sense. Visit Virtual Sheet Music to learn more... Powered by UBB.threads™ PHP Forum Software 7.7.4, Quick Links to Useful Piano & Music Resources. Of course, what I have just said is not applied pedantically through the piece but you must find the places where the rhythm stretches and relaxes. I just felt that the kinds of things you were describing were beyond the scope of the original thread. If you have no dispute with what I am saying then don't quote me in a reply and then proceed to (at least appear to) dispute what I was saying. I just looked at the notes and they look very difficult... Ted is absolutely right in my view. Puoi modificare le tue preferenze in qualsiasi momento in Le tue impostazioni per la privacy. Noi e i nostri partner memorizzeremo e/o accederemo ai dati sul tuo dispositivo attraverso l'uso di cookie e tecnologie simili, per mostrare annunci e contenuti personalizzati, per la misurazione di annunci e contenuti, per l'analisi dei segmenti di pubblico e per lo sviluppo dei prodotti. I would estimate that less than 3% of those who play the piano have the technique to play Joplin's rags at the proper tempo. Ooops. Per saperne di più su come utilizziamo i tuoi dati, consulta la nostra Informativa sulla privacy e la nostra Informativa sui cookie.

You must think of the sheet music as a guide and allow the rhythmic interplay between right and left hand to come out naturally. Download and print in PDF or MIDI free sheet music for Étude in G♯ Minor, “La Campanella” S. 141/3 by Liszt, Franz arranged by ClassicMan for Piano (Solo) CLICK THIS LINK to send a PM to also be reminded and to reduce spam. Sure, there are people that can gross through it. I suppose I should have observed some sort of rules of decorum by not straying from the original topic of this thread and, perhaps, started a new thread but I have never been much for rules of decorum.

Informazioni su dispositivo e connessione Internet, incluso l'indirizzo IP, Attività di navigazione e di ricerca durante l'utilizzo dei siti web e delle app di Verizon Media. High volume... not a just handful of quarter rep squats. It's as if the left hand notes were, in a way, propelling the right hand figures. Most Difficult Piano Pieces (Hardest Piano Pieces) 1.

To play the Maple Leaf or any ragtime as written is not technically difficult but the rhythmic subleties of actually playing it correctly would be impossible to notate. I was simply trying to bring the thread back to its original topic. 10 years evaluate piano progress. Re: La Campanella #355187 05/19/02 02:19 AM. At worst you'd fucking decapitate yourself. It is like an adventure race for hand technique. Would you not bother doing other specific front delt and tricep work? Moderately priced ear buds with good sound? While the difficulties of Maple Leaf Rag are certainly not gymnastic, the piece is played frequently and badly for other reasons. To play the Maple Leaf or any ragtime as written is not technically difficult but the rhythmic subleties of actually playing it correctly would be impossible to notate. Also, you will NOT fucking like La Campanella... like... at all in 10 years if you beat your head against it for an hour a day making virtually zero progress. Difficulty, in this case, will be a technical one although that is not to imply that the pieces in some why lack substance. Besides, it's fun to play and you'll be a hit at your next ****tail party.

I learnt it rather quickly (2 months) after 19 years of playing piano including 15 years of full formal education. I love la campanella and studied it for a time. Would suggest also looking at some easier pieces you would one day like to play and maybe focus more on pieces you find beautiful rater then technically impressive. The biggest problem is in getting all of the repeated notes to come out clearly, which can sometimes be blamed on the piano. A sort of anticipation with the left hand.



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