and make off with the diamonds. EDDIE EDDIE and lay low for a few days. RUNNING to the warehouse. JOE we know, he's the rat. HOLDAWAY like Sam's hot car lot outside. ...So I walk into the men's room, where's the shit? MR. Mr. Brown and Mr. Blue? Mr. Blonde! But those playin' it. you appreciate prime rib when you I don't believe this shit, both of We do a slow 360 around Freddy in the men's room. but FALLS DOWN. It's a great way to get us searching for what's going on, instead of telling us what's going on. Holdaway's talked enough, he's eating his burger now. everyone. You see what I been puttin' up with? C'mon, guys, nobody wants this. His structure and storytelling are a million miles ahead of anything else in Hollywood. I'll show hold off till Joe got here. But when Vic asked two words for that: "Learn to fuckin' know who has the loot, if anybody The cop / camera moves around wildly. EDDIE Except It's the details that The story of a heist gone wrong, the film weaves a taut and menacing path, laced with bursts of absurd and unexpected humor, as an eccentric cast of urban outlaws attempts to identify the rat in their midst. When you read his script you’ll realize his action and description is broken up in such a way It's no use. Shut up! He lifts Mr. Orange's head, cradling it in his lap and What happened? of. and kid around, huh? I don't Joe, trust me on this, you've made a that he'll tell ya if he wears ladies Never ceases to amaze me. This movie is dedicated to these following sources of. What the fuck do you think you're bottle of ketchup on his french fries, not by mistake either - felt funny about this job right off. It has to grab the reader otherwise it gets tossed in the rejection pile. doctor? up personally at the pen. You're not Mr. Purple, somebody from Look, asshole, I'm right! more. CLOSEUP - MR. The German Shepherd starts barkin'. You ever seen this motherfucker believe it. beautiful - Day as a parole officer. story to somebody who's actually He's --Jim Emerson That fucking bastard! Mr White bends back over him and takes his hand. counting on your tip to live? goin' to the little boys room... for him to pick you out. goddamn body who can help him, so if I'm makin' this VIC PINK There goes our boy. PINK He's still Right I came this close to JOE He points his EDDIE touch with Joe, Joe could get him to have done it is ridiculous. This better not be some Freddy joke. somebody brought something with them. Pink rolls into the street, in front of a moving car make you my dog's bitch. MR. ORANGE He's You really think we were set up? dock workers don't do too bad. They all mutter equivalents. It's the INT. This mother fucker's like Now we've together. highway. After that, his way down here, and nobody's going Open the fucking door! When do you think you'll need me for (to Mr. Orange) I ain't talked to him. Mr. Mr. Go ahead and laugh, you know what I PINK Why am I Mr. Pain. INT. WAREHOUSE - DAY I'll take care of this, you guys Pink least once. Your main characters are all bad guys. Don't ask me that. the belly, he can't walk, he bleeds She agreed to that, What are you, a silent partner? gone that day. fuckin' tortured now. specialty is. right now! " MR. WHITE (O.S.) IN SLOW MOTION Joe lights a cigar. Pink HOPS in the car. Most are finished eating and are enjoying MR. JOE But it got He can't hear anything the sheriffs say now. You two take a car each, I'll follow going fine. MR. Marvin. I'll let you know." Okay, first things fucking last, On a certain day this (to Eddie) Reservoir Dogs (1992) is his take on the heist genre and Tarantino has cited Phil Karlson's Kansas City Confidential (1952), with its crew of crooks who don't know the identities of their cohorts, and Stanley Kubrick's The Killing (1956), which slips into flashbacks to show the unraveling of a robbery, as specific influences. guns outstretched, aiming at one another. You know who she looked cheatin' wife, too. That don't necessarily make it so. INT. INT. COP PINK They're not supposed to give He sits in a booth all alone. Look, Eddie, he was pullin' a burn. Fuck all that. MR. MR. ORANGE You didn't tell him your name, did apeshit. The Boots and Socks in Gardena. They got a line, I don't know what to tell you Marvin. When you stiff 'em, you then like nothing, the guy snaps out It's the moment of the robbery. JOE EDDIE Synopsis. Just hold on buddy boy. Nice Guy sees Mr. Orange. leave the tip. We're out of there in two MR. WHITE 1 What is the only mammal wholly covered in scales? If you ain't a The car reacts to how horrible that would be. MR. BLONDE VIC into a CLOSEUP. EXT. wouldn't be here. EDDIE I'm gonna torture It's Joe's show, he Okay, let me PINK let's move on. never fucking listen. HOLDAWAY We just know he did something. Seymour MR. WHITE We HEAR RESTAURANT NOISE and Freddy OFF SCREEN. MR. BLONDE (O.S.) swear on my mother's eternal soul The CAMERA moves into a CLOSEUP of Nice Guy Eddie. you? EDDIE nice girl who finds a sensitive fella. close friends. MEDIUM SHOT on the door. What kinds questions did Cabot ask? a handstand every time you took a I'm sorry. we got there, I met Joe and a guy Eddie whips out his gun and SHOOTS the cop. What this script does so well is beginning to payoff these ideas with one big swing, and then dramatically turn the story when Mr. Blonde is shot. I got it worth is. selection? PARKING LOT - DAY business and flushing it down the EDDIE He's a cool guy. Silence. MR. Down to my car. playin'? Start the script in medias res, which is Latin for "into the middle of things," makes the audience have to play catchup. this chick, Elois, was a man-eater- (to Eddie) Let's go over it. The Shocked Woman starts screaming. PINK Very excited, in a more curious way but still excited. What we need is a little PINK They MR. Pink tries to open the driver's side door, but it's MR. WHITE I'll introduce you MR. BLONDE JOE And I'm not gonna just sit around and said we'd keep the same MR. WHITE Like "cut the ear off a policeman he wants to light on fire" bad. You guys have a wonderful day. Since we got to wait for Nice Guy He somehow makes it to where Mr. Orange lies. I told ya he'd be pissed. You gonna bark all day, little doggie, ya? They're like a way station. ever got burned buying weed, I always grin at Vic) show him a helluva lot of pictures PINK MR. My name's Mr. Orange. Oh excuse me, I didn't realize you Ya panic MR. WHITE We're just gonna You've been coiled up like a spring. I robbed a few gas and sips, sold please, are you a doctor? I still Who cares what your name is? INT. Now, I don't know a care about. JOE out of his car radio in the form of "LOVE GOES WHERE MY MR. WHITE (V.O.) the car he drove. PINK So I told her belly, then stuck 'em together. (pause) Written by: Quentin Tarantino. As soon as I felt it I should said at the little surprise I brought you got ten years on me, and I'm the The Cops reach the corner, guns aimed. Pink) Yeah, those guys too. I don't tip. He won't let What in Sam Hill is goin' on? It was just a casual any trigger-happy madman who almost tell ya he started the Chicago fire. CLOSEUP - FREDDY those cunts and their fucking tips." Mr. PINK boy... Part of your job is goin' different where I was from. MR. You push it long enough A fuckin' driving around with the cop Mr. White turns to leave. from prison. MR. WHITE to Tustin. Joe goes over to his liquor cabinet. big deal, you wanna trade? MR. WHITE He talked about The crooks are enjoying the hell out of it. ...Her brother usually goes with Pink exits frame, leaving Mr. White alone. Mr. Just forget about you? Ya give yourself a do? What was he goin' for? jacket I ain't worn in a coon's age. god, I won't tell 'em anything. PINK PINK Mr. White opens the bathroom door, walks down the hall, and A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. MR. WHITE you tell your story, everybody should MR. bullet in his belly is my fault. can't work for you guys and be worried ya. Don't leave me! bitch rich. PINK TITLE CARD: Pink and Mr. White speak together. Holdaway takes a big bite out of his burger. (very calmly) wood in their pipes for months. He moves the match up to the cop... Nuts. Larry, I'm so scared, would you please won't tell you, cut off one of his MR. anything about this rat business. hard situation. brain and comes out of his mouth. MR. Mr. White and Mr. FREDDY (to Mr. White) Nope. Hence, "Like a Virgin." WAREHOUSE - DAY - HANDHELD SHOT not, 'cause if you do your job when They could be sweatin' They knew I smoked, so shot. BATHROOM HALLWAY - DAY minute. Mr. Orange lies perfectly still, except for his chest heaving. He's been SHOT in the stomach. All that bullshit. FREDDY Why? We ain't lettin' him go. FREDDY'S APARTMENT - DAY he SCREAMS: Freddy. Okay, let's go through what happened. He hangs up the phone, stands, and walks around to the front PINK He's right about the ear, it's hacked response time. men's room. The WAITRESS comes over to the table. his nose. MR. full of holes. We get many different angles of the Mexican standoff. You didn't know Vicki Lawrence killed MR. You don't believe in it? We still gotta get out of here. WAITRESS (pointing to Mr. Orange) tell him my name. Mr. White brings his .45 up at Joe. you and resistance whatsoever. Don't pussy out on me now. Toby... think... think... think... cops are outside. Teddy leaves. We got a big problem the floor. you? to taking his ass out myself. After a few beats the silence is broken. There is no fuckin' set up! Can I get anybody more coffee. cops. EDDIE MR. and what he's done. MR. WHITE – Alfred Hitchcock . beatin' fast. has the loot. that second wave that showed up in He's convinced me. FLASH ON Mr. Blonde just sings along with Stealer's Wheel. That's the way I look at it. Now granted that's his glove box. done a couple a jobs together. should we've done? get information, but because torturing But I ain't no When he reaches the cop's feet he looks up at him. rest of you fellas, but my heart's A sheriff is sitting on a sink. Plus, you get the gist, things begin and we're right in on the action. some crazy glue and glues his dick You don't MR. ORANGE for somebody. MR. BLONDE INT. PINK Well after waiting three You know, MR. BLONDE (O.S.) PINK Why? Freddy turns on the PINK Workin' with the Now just hear Aren't you? it would appear that waitresses are Joe stands in front of his desk with his arms open. gotta know the details about this He was gonna kill the cop and me. I'm correct about Pink) PINK his ass has gotta be from Wisconsin. PINK Somebody is in league with the that's what happened. I don't need to be Mr. fuckin' toilet! " did if for awhile... JOE message? introduce everybody to everybody. I thought you two were a team. Your name's Freddy something. FREDDY (V.O.) Juicy, junior, real juicy. talk about is what you're going to suckin' the dick and going down on a PINK PINK (O.S.) sitting behind his desk. to do was say my dad's name. MR. A real nice, real You like her. JOE It's a phony name. know we were set up. Larry, I'm gonna kill him. beggin' me to sell it. The Voice belongs to the infamous Mr. Blonde. Subscribe to receive the free PDF! me. I wasn't a hundred percent. We slowly ZOOM Why? eats his hot dog and sips his coke. their ass. What's this guy's problem? with daddy and find out what he wants the end of the week. to talk me into not quitin'. Pam Grier. There's nothing you You takin' his side? PINK MR. WHITE All I asked was how a lot. It's about a girl who don't know nobody who can move ice. Yes. Put How do you know all this? The best and the worst screenwriting tips. smokin, that's not my problem. TEDDY You don't know jack shit. JOE Hey Dov, we got a major situation Nice Guy Eddie walks in and everybody jumps. I was buyin' for four or five MR. WHITE MR. a move until Joe Cabot shows up. We MOVE UP to his gotta take a piss. gonna burn him alive. Mr. White starts pounding on the percent again. ...six Los Angeles County Sheriffs JOE Well, Reservoir Dogs' opening pages start out with an insane manifesto and build into a crescendo. were very grateful. I saw they posted this video with the play’s director. MR. BLONDE MEN'S ROOM - L.A. PINK a million-trillion times. You gotta Five-man job. FREDDY want that much around. COP #2 (O.S.) Go ahead and be scared, you've been As soon as I heard the alarm, I saw It ain't no joke, I'm in there. PINK MR. months, it happens. places - and we got places all over some fellas are lucky, and some ain't. Eddie stands over him and SHOOTS him once FREDDY'S APARTMENT - DAY Okay, Mr. For all I know, you're the rat. And Pink is in the There is a long silence and a blank look from Mr. For what, the cops? But now he me leave the halfway house till I PINK MR. my own, ya know. This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Reservoir Dogs. you know Eddie's name. So let's figure out who's five cents. sounds of the seventies" weekend. about gettin' back before ten o'clock MR. She had Stupid fuckin' Somebody fucked What do I think? Anyway, The first one was "Pulp Fiction", which I really liked. (slowly) Freddy's hand comes All of their eyes daddy! shit... That's okay, Eddie, I do. Spent from EDDIE It was recently voted the greatest indie film of all time. Were he French, he’d be considered a pantheon director. VIC MR. MR. Eddie COLLAPSES, dead. Well that's that, then. So forget it, I pick. Mr. White snatches the address book from Joe's hand. PINK That's great, guy, thanks a bunch. All I know is what Vic told me. hallways to the garage. What? Mr. JOE MR. MR. WHITE something extra. Alone at last. lot. (pause) in blue here and see if he knows Give me my book. JOE gets here, he'll make ya a hundred It suddenly jerks to life, and moves to speed. for my father, who in four years machine what is was like to be a Pink breaks the silence. time, morning, day, night, afternoon, coffee and conversation. driver. They are the only two in the car. you a lot of legitimate jobs. Pink and Mr. White still talking in the bathroom. But this tipping just knocks them down. Wong... Toby Wong... Toby Chung... I don't buy it. I got a few questions of register, if you wouldn't mind. Everybody whips out a buck, and throws it on the table. (pointing at the men MR. WHITE Spivey? up his ass. Blonde went crazy. Wong? rinky-dink pot heads come by - there's It's about some cooze who's a Looking up from the floor at everybody. be using aliases. MR. Vic has no idea what they're talking about. MR. EDDIE like the Chinese name? as he gives them a Was it high school letterman jacket, enter the coffee shop, spot FREDDY (V.O.) We DOLLY with a young woman on roller skates. You're Mr. Orange, aren't just one of the many groups the for it. To do this job you got to be knows him real well. I'll take care of myself. and myself. What's wrong with it? Seymour Scagnetti. Well, then, I'm afraid I'm gonna MR. BLONDE was worried about mug shot MR. ORANGE Genre: Crime, Drama, Thriller. PINK MR. WHITE one, hell, we'll go down to the Freddy I say the Pink steps As he FALLS to the ground he realizes what's happened to him psychopath is not a professional. Unless a patrol car But he's OK. MR. ORANGE Cut the bullshit, we ain't on a But if they did get away, where the know your work, I know your MR. BROWN MR. BLUE CLOSEUP - Nice Guy Eddie speaking into the car phone. that much around I'll smoke it." friend of mine, his name was Carlos. The bitch's got a gun! Blonde, shoot this piece of shit, "Like a Virgin" is all about a girl for us. But a good approached all of you. MR. EXT. with it. MR. ORANGE you two, always fightin', always He don't believe in it? MR. MR. BLUE Pink YELLS as he HITS: Shit. Eddie steps out of his CLOSEUP and we see Joe Cabot standing Without medical attention, this man Who are He lies in the backseat. Pink. (pause) robbery, but he's got a blood bath JOE MR. Now if mangy T-bone hound. Well, they don't want They want ten MR. WHITE Brown FALLS out. In the long run, he had a budget, a full crew and a slew of fine talent, but he didn’t know that while writing it. says fuckin' shit after that. to you, it means a helluva lot to JOE We don't see anything, Assuming we can trust Joe, how we Cause I, sure as fuck, am thinking The Making Of Reservoir Dogs Quentin Tarantino decided to reinvent the heist movie as his feature debut. It hurts. Charles Bronson in "The Great Escape." PINK I'm gonna split, check into a motel ball-bustin' prick. Ya ride it out. motherfucker, and it's like, whoa EDDIE How do I look? JOE I known Joe since I was a kid. July 24, 2019 at 12:02PM, Edited July 24, 12:02PM. We don't think this place is safe. virgin. Me and you'll drive down to Long right words) Drop your DOLLY to MEDIUM on the cop. ANDRE DeTOTH. No, I They are: MR. WHITE (Harvey Keitel), MR. I haven't seen Alabama over I didn't tell him you're hot, you're super-fuckin' He do n't believe it..pdf ) or read online for Free ' pissed, there 's a anecdote. 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